The Most Prolific Author You’ve (Probably) Never Read

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I’ve gotten to know Carol Davis over the past couple of months after she was welcomed into the WOOL fandom with her Kindle Worlds story, Rebel State: Underground. Since she hit publish on Aug. 30, she has since published a follow-up to her initial story as well as a one-off entitled They Kill. Back in the 90’s, Davis wrote and published two authorized Quantum Leap novels, but has been writing all along. 
Just last week, Davis published her first original story through Amazon — Blood Moon, a short story. I’ll include my review after a short interview I did with Davis (spoiler alert — I really, really liked it). Davis’s background in TV really informs her stories and she does a phenomenal job in bringing them to life. The following are just a few questions I peppered Carol Davis with yesterday:  
 
ImageYour author bio on Amazon now lists 6 works, but how many stories do you estimate you’ve written in your adult life? How were those published or read by others?
I’m going to guess at around 800 stories.  (I’ll use “story” as an all-inclusive term — some of my work was teleplays, a couple of screenplays, half a dozen novels, almost all of it fanfiction.)  I’ve always been crazy prolific when I’m interested in something! I started out publishing in fanzines.  The past 7 years, I’ve been offering my stories via LiveJournal, where they’ve been very well received — and that gave me the confidence to give Kindle Direct Publishing a try.
 
What do you think was the greatest impact on your writing career?
The encouragement of established writers.  As a beginning writer, I felt that “If this person, who knows what they’re doing and has had some noticeable success with their writing, says my writing is good enough that I should keep at it, I’m going to believe them.”  The past few years, the positive feedback I’ve gotten from readers on LiveJournal has really kept me writing.  There’s nothing like a pat on the back to keep a writer hammering on the ol’ keyboard.
 
What did WOOL and Hugh Howey’s writing career mean to you?
I was aware of Kindle Worlds before the big Wool-mania began, and it sounded like a very interesting proposition — a way for new writers to jump into the pool without the need to win over a “legitimate” publisher.  I loved  WOOL (the original novella), and when it was announced that Hugh was going to offer his universe to Kindle Worlds, all the pieces came together for me, and I got started on my first Silo Saga story.  Knowing that Hugh very patiently wrote, and wrote, and wrote, and published his work online with a nice degree of success (and was finally able to grab the brass ring) was very encouraging to somebody who’s spent a lot of years giving her writing away for free.
 
Talk about Blood Moon and the rationale for writing something that wasn’t fanfiction.
My long-term goal is building up a good-sized catalogue of work on Amazon, so that when I retire I’ll have something to do all day (putting together more stories!), and will be able to earn a bit of money to supplement my “fixed income.”  Original work seems like the way to go, because the field is wide open.  Horror, romance, family drama… I can give them all a try.  Short stories, novellas, full-length novels.  It’s a wonderful, thrilling opportunity.
 

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….and now my review of Blood Moon, Davis’ newest story, on sale for just 99 cents. I highly recommend it. 
 
Carol Davis is new to selling books on Kindle, but isn’t new to crafting and weaving a great story and that shows in her short story, “Blood Moon.”
Davis has previously one dabbled in the world of fanfiction with licensed works in the Quantum Leap universe and most recently with three stories in Hugh Howey’s WOOLiverse. Blood Moon is Davis’ first attempt at an original story; after reading it, I can honestly say if this is Davis’ try at originality — bring it on.
Immediately upon beginning the story, the reader is dropped into the middle of an already moving situation, almost as if you had started watching an hour-long TV show after the first commercial break and had to work to catch up on details you missed out on in the first few minutes. Thankfully, Davis doesn’t skimp on the details, bringing the reader along for the ride as we follow the road-weary Will Bronson and his 11-year-old son, Danny as they track down and hunt werewolves. We get glimpses at a larger world that Davis has clearly mapped out for this quick introduction. The story reads like an episodic television series that could go on and on with Will and his son hunting and killing wolves throughout a nine-year run on the tube.
If this is it for her werewolf stories, I’ll be disappointed, but ff this is what Davis gives us when she isn’t working in other authors’ worlds, I’ll take it.
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